#GrammysSoDiverse: How the Recording Academy Finally Found a Firestorm-Proof Slate of Nominees
The organization seems to have taken the criticism to heart: Five out of seven 2019 best album nominees are by female artists, and the eighth nominee — the “Black Panther” soundtrack compilation — features female artists. Six of the eight nominees for new artist are women; five of the eight nominees for song of the year, and four of the eight for record of the year, are by female artists or co-billed with male artists. With some exceptions, the inclusion trickles all the way down to the blues and mastering engineer categories.
That’s not the only sign of a sea change: veteran singer-songwriter Brandi Carlile and R&B newcomer H.E.R., hardly household names, have a whopping six nominations and five nominations, respectively, with Carlile second only to superstars Kendrick Lamar and Drake. Cardi B, Childish Gambino, Maren Morris and Lady Gaga all have five noms as well; Post Malone and Kacey Musgraves each have four, all of which seems to suggest the Grammys embracing the fringes (comparatively, anyway) on a larger scale than they may ever have done before.
To that end, pop — which dominated in the 2018 awards, as Bruno Mars took three of the four top categories — was pushed to the margins (again, comparatively). Heavily tipped singers including Ariana Grande, Camila Cabello, Dua Lipa and Bebe Rexha had massive singles in 2018 but received just two noms apiece, and Taylor Swift — who’s won 10 Grammys from 32 nominations before her 30th birthday — received just one, in a pop category, for her “Reputation” album.
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