Luc Besson’s EuropaCorp Turning To Vine Alternative Investments As Savior? – Report
Luc Besson’s embattled EuropaCorp has reportedly spurned an acquisition offer from French giant Pathé, turning instead to U.S.-based Vine Alternative Investments. According to French weekly paper Le Journal du Dimanche, a rescue deal between Europa and Vine was hatched on July 3 in the office of the French judicial administrator. Details are scarce and any accord would still need to be validated by the Commercial Court of Bobigny which in May granted Europa a six-month debt waiver to give it time to balance the books. As of March 31, the company’s net debt stood at $181M. Deadline has reached out for comment.
Vine and Europa have existing ties under a credit line provided by the former. A recovery plan has yet to be revealed, although local media has speculated that Vine could convert Europa’s debt into capital shares and that the asset manager would appear sufficiently solid to satisfy lenders.
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Luc Besson's EuropaCorp Posts $125M Loss For 2018-19
Vine, which bought a controlling interest in Village Roadshow in 2017, was founded in 2006 and has already committed more than $700M to investments in assets backed by major motion pictures, television and other media and entertainment content. Earlier this year, Vine raised another $600M.
As of late May, EuropaCorp was still in talks with other buyers including Pathé which was looking to take a majority stake in the mini-studio as well as potentially providing a cash infusion. Besson and his holding company FrontLine own 38% of Europa while Chinese investors own 28% after a $67M investment three years ago.
In June, Deadline reported that Steve Rabineau was leaving WME to partner with Luc and Virginie Besson in the theatrical film and TV series business, under their EuropaCorp label. Besson has been a longtime client and friend of Rabineau, and the goal is to generate three films per year, one of which will be directed by Besson.
Besson is an idea machine with a long track-record of critical and/or commercial hits from The Big Blue to The 5th Element, The Professional, La Femme Nikita, Taken and Lucy. But 2017’s Valerian And The City Of A Thousand Planets was a costly misfire. Not helped by misconduct allegations — which Besson denied, and a police investigation dismissed earlier this year — EuropaCorp has been looking for new backing.
In late June, the company posted unflattering results for the 2018-19 financial year, including a loss of $125M, which was a 27% increase year-on-year. The company said net debt stood at $181M as of March 31, a reduction of almost $90M year-on-year, mainly due to the payment of production debts related to Anna, the series Taken and Taxi 5.
While most income came from the delivery of Anna, the film has made just $7.5M domestically since its June 21 release via Lionsgate. It opened this past Wednesday in France, selling 80K tickets on the first day in an inauspicious debut which charted as the 25th best of the year so far.
Since December, Pathé has been distributing EuropaCorp movies with the contract calling for three over the next three years including Anna. No further films are in production at EuropaCorp after Anna.
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